Antiquités de l'époque des Song

Ding Meiping vase with Russet-Brown Glaze

Ding kilns, one of the Five Famous Kilns of the Song dynasty (960–1279)

Height 23 cm; Maximum width 13 cm

The “Song Purple Ding Meiping” is a supreme masterpiece of Ding ware, embodying the concept of a top-tier collectible that unites a famous kiln, a renowned glaze, and a celebrated form. With its profound and mysterious purplish-brown glaze, its pure and resilient buff body, and its elegant, classical silhouette, it represents the highest level of Song ceramic aesthetics. The vessel rises tall and slender, with rounded shoulders, a gently swelling abdomen, and a firm stance upon a small ring foot. The surface is covered in a rich russet-brown glaze of deep luster, where subtle variations in tone add visual depth. The glaze stops neatly at the base, revealing the fine buff body typical of Ding ware. Both in form and glaze, the piece stands out as rare, exemplifying the kiln’s technical innovation and refined taste. Far beyond an object of daily use, such a vase was a prized display piece for the aristocracy and literati, embodying the artistic and cultural pinnacle of the Song dynasty.

1. Description

The “Song Purple Ding Meiping” is a supreme masterpiece of Ding ware, uniting a famous kiln, a rare glaze, and a celebrated form. Tall and slender, with rounded shoulders, a gently swelling abdomen, and a firm stance on a small ring foot, it exemplifies the classical elegance of the meiping shape. The surface is covered in a lustrous russet-brown glaze, mysterious and profound in tone, where subtle variations create depth and visual richness. The glaze stops neatly at the base, revealing the fine buff body characteristic of Ding ware. The combination of form, glaze, and craftsmanship elevates this piece to the highest aesthetic achievements of Song ceramics.

2. Comparison with Similar Song Ceramics

Kiln Status
The Ding kilns, among the Five Famous Kilns of the Song dynasty, were closely tied to imperial taste. While white Ding wares are most common, the rare purple- or russet-glazed Ding wares, such as this example, represent the kiln’s most exceptional innovations.

Glaze
The rich russet-brown glaze, with its subtle tonal variations, is seldom encountered within the Ding repertoire. Its profound hue is distinct from the celadon greens of southern kilns and the glossy blacks of northern wares, underscoring Ding’s experimental range.

Body & Foot
The buff Ding body, fine and resilient, paired with a neatly recessed foot and clean glaze line, contrasts with the dense clays of southern ceramics. These structural features are consistent with classic Ding production.

Form & Function
The meiping, with its upright stance and graceful proportions, was a vessel associated with refinement and display rather than ordinary use. This example, with its rare glaze and flawless execution, must have been intended for the highest elite, whether as a tribute piece or as a prized object for the scholar-official class.

3. Comparative Notes on Attribution

Arguments in Favor

  • Buff Ding body with neatly recessed foot.
  • Rare russet-brown glaze attested in Ding repertoire.
  • Elegant meiping form consistent with Ding kilns’ production.
  • Parallels in museum collections confirm attribution to Ding.

 

Points of Caution

  • Purple-brown Ding wares remain extremely scarce, with limited comparative examples.
  • Other northern kilns also experimented with brown glazes, though with less refined results.

4. Cultural Significance and Use

The rarity of its glaze, the prestige of its form, and the noble origin of its kiln converge in this vase, making it a supreme example of Song aesthetics. Far from utilitarian, it was conceived as a high-grade object for aristocratic or scholarly display, embodying refinement, innovation, and cultural sophistication.

5. Survival and Collection

Complete purple-glazed Ding meiping vases from the Song dynasty are exceedingly rare. Known examples are preserved in leading museum collections, where they are recognized as treasures of Song ceramic art.

6. Proposed Attribution

This vase is securely attributed to the Ding kilns (定窯), Song dynasty (960–1279), as a Purple Ding meiping vase (宋代 紫定梅瓶). It represents the fusion of technical mastery, aesthetic depth, and cultural prestige, ranking among the pinnacle creations of the Ding tradition.

References

  • Palace Museum, Beijing, Complete Collection of Song Dynasty Ding Ware, vol. 2, pp. 98–103.
  • National Palace Museum, Taipei, Catalogue of Ding Ware, nos. 42–44.
  • Li Huibing, Song Ceramics, Beijing, 1996, pp. 145–150.
  • He Li, Chinese Ceramics: A New Comprehensive Survey, San Francisco, 1996, pp. 128–130.